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The Comparison and Analysis of W.A. Mozart’s two g minor symphonies ( K.183 and K.550)The Comparison and Analysis of W.A. Mozart’s two g minor symphonies ( K.183 and K.550)The Comparison and Analysis of W.A. Mozart’s two g minor symphonies ( K.183 and's Cover

The Comparison and Analysis of W.A. Mozart’s two g minor symphonies ( K.183 and K.550)The Comparison and Analysis of W.A. Mozart’s two g minor symphonies ( K.183 and K.550)The Comparison and Analysis of W.A. Mozart’s two g minor symphonies ( K.183 and

東吳大學 / 音樂學系

Author：TSAI SU-YUAN
An Analysis and Self-composition in "Across the Truku" and "Shang Bai Jiao"'s Cover

An Analysis and Self-composition in "Across the Truku" and "Shang Bai Jiao"

國立臺灣藝術大學 / 中國音樂學系

Author：HSU, WEI-TING
An Analysis and Self-composition in "Across the Truku" and "Shang Bai Jiao"'s Cover

An Analysis and Self-composition in "Across the Truku" and "Shang Bai Jiao"

國立臺灣藝術大學 / 中國音樂學系

Author：HSU, WEI-TING
An Analysis and Self-composition in "Across the Truku" and "Shang Bai Jiao"'s Cover

An Analysis and Self-composition in "Across the Truku" and "Shang Bai Jiao"

國立臺灣藝術大學 / 中國音樂學系

Author：HSU, WEI-TING
An Analysis and Self-composition in "Across the Truku" and "Shang Bai Jiao"'s Cover

An Analysis and Self-composition in "Across the Truku" and "Shang Bai Jiao"

國立臺灣藝術大學 / 中國音樂學系

Author：HSU, WEI-TING
An Analysis and Self-composition in "Across the Truku" and "Shang Bai Jiao"'s Cover

An Analysis and Self-composition in "Across the Truku" and "Shang Bai Jiao"

國立臺灣藝術大學 / 中國音樂學系

Author：HSU, WEI-TING
From Chou Wen-Chung’s YÜ Ko to Explore the Creative Concept and Practice under Eastern and Western Culture／Pei-Jung Chen Concert's Cover

From Chou Wen-Chung’s YÜ Ko to Explore the Creative Concept and Practice under Eastern and Western Culture／Pei-Jung Chen Concert

東吳大學 / 音樂學系

Author：Pei-Jung Chen
The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital's Cover

The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital

東吳大學 / 音樂學系

Author：Yi-Yun Wang
The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital's Cover

The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital

東吳大學 / 音樂學系

Author：Yi-Yun Wang
The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital's Cover

The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital

東吳大學 / 音樂學系

Author：Yi-Yun Wang
The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital's Cover

The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital

東吳大學 / 音樂學系

Author：Yi-Yun Wang
The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital's Cover

The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital

東吳大學 / 音樂學系

Author：Yi-Yun Wang
The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital's Cover

The Analysis and Interpretation of “Twelve Fantasias for Flute”Three Pieces study on TWV 40:2, TWV 40:3, TWV 40:11 By Georg Philipp Telemann／Yi-Yun Wang Flute Recital

東吳大學 / 音樂學系

Author：Yi-Yun Wang
An Analysis and Interpretation of George Gao’s Composition “Capriccio No.5 for Erhu and Symphony Orchestra–Nakhi”'s Cover

An Analysis and Interpretation of George Gao’s Composition “Capriccio No.5 for Erhu and Symphony Orchestra–Nakhi”

國立臺灣藝術大學 / 中國音樂學系

Author：YU, HSIN-YI
An Analysis and Interpretation of George Gao’s Composition “Capriccio No.5 for Erhu and Symphony Orchestra–Nakhi”'s Cover

An Analysis and Interpretation of George Gao’s Composition “Capriccio No.5 for Erhu and Symphony Orchestra–Nakhi”

國立臺灣藝術大學 / 中國音樂學系

Author：YU, HSIN-YI
An Analysis and Interpretation of George Gao’s Composition “Capriccio No.5 for Erhu and Symphony Orchestra–Nakhi”'s Cover

An Analysis and Interpretation of George Gao’s Composition “Capriccio No.5 for Erhu and Symphony Orchestra–Nakhi”

國立臺灣藝術大學 / 中國音樂學系

Author：YU, HSIN-YI
An Analysis and Interpretation of George Gao’s Composition “Capriccio No.5 for Erhu and Symphony Orchestra–Nakhi”'s Cover

An Analysis and Interpretation of George Gao’s Composition “Capriccio No.5 for Erhu and Symphony Orchestra–Nakhi”

國立臺灣藝術大學 / 中國音樂學系

Author：YU, HSIN-YI
An Analysis and Interpretation of George Gao’s Composition “Capriccio No.5 for Erhu and Symphony Orchestra–Nakhi”'s Cover

An Analysis and Interpretation of George Gao’s Composition “Capriccio No.5 for Erhu and Symphony Orchestra–Nakhi”

國立臺灣藝術大學 / 中國音樂學系

Author：YU, HSIN-YI
The Analysis and Interpretation of Cantilene for Clarinet and Piano by Louis Cahuzac's Cover

The Analysis and Interpretation of Cantilene for Clarinet and Piano by Louis Cahuzac

東吳大學 / 音樂學系

Author：Pei-ling Liang
The Analysis and Interpretation of Cantilene for Clarinet and Piano by Louis Cahuzac's Cover

The Analysis and Interpretation of Cantilene for Clarinet and Piano by Louis Cahuzac

東吳大學 / 音樂學系

Author：Pei-ling Liang

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