"Find the sound from the music score, and then find the meaning of the process of the composer's creation from the sound." This sentence is what the author once heard the teacher said during the class. The author therefore began to think about the sound on the spectrum, what is the meaning it is given? As the notes fall into different contexts, the meaning given is different. The author will explore the background of his writing technique through Bach’s Violin Solo Sonata No. 1 BWV1001, and explain how to integrate it into the interpretation of performance.

The development of polyphonic music dating back to the Middle Ages spans the Renaissance and Baroque periods, and the evolution of notation has a very close relationship with the development history of polyphonic music, and even influence the creative thinking of the composer in the future. The notation method also includes the tonality of the music, from the medieval church mode to the baroque period of the major and minor tonality, how will the combination of mode and tonality arouse an out of the ordinary spark? From Bach's violin unaccompanied sonatas, it can be found that he has integrated the history of music from the Renaissance to the Baroque period, so that this set of songs can remain forever.

This article discusses the notation of polyphonic music in the Baroque period through the analysis of multiple levels of mode music and tonal music, and the notation of polyphonic music. Interpretation of the way and its performance.

Graduation Recital Program:

Arvo Pärt: Fratres for Violin and Piano

J. S. Bach: Partita for Violin Solo No. 2 in D Minor, BWV 1004, Ciaccona

C. Saint-Saëns: Introduction and Rondo Capriccioso for Violin and Orchestra in A Minor, Op. 28

E. Grieg: Sonata for Violin and Piano No. 2 Op. 13 in G Major