Your browser does not support the JavaScript function. If the web page function does not work properly, please enable the JavaScript function of the browser. Goto main content

:::
The compare of characteristics in playing between Italian violin bows in baroque era and modern violin bows—Take “ciaccona” by J. S. Bach as an Example's Cover

Temporarily unlisted

Contents

Preface

Chapter One The origins of violin bows and its development

Section One Before François Tourte

Section Two After François Tourte

Chapter Two The compare of characteristics in playing between Italian violin bows in baroque era and modern violin bows

Section One Détaché

Section Two Staccato

Section Three Slurred staccato

Section Four Legato bowing

Section Five Chords

Chapter three Compare the two bows in playing “ciaccona” by J. S. Bach

Section One The origins and the characteristics of Ciaccona

1. The origins

2. The characteristics

● Meter and Down beat

● Tempo

Section Two The “ciaccona” by J. S. Bach

1. Bowing

2. Phrasing

3. Articulation

4. Notes inégales

5. Chords Playing

Conclusion

Bibliography

Appendix