This artistic creation is my self-realization journey with the memory mimic. The idea of thought sways back and forth unceasingly between the space and time coordinate. The works attempt to outline the time, the space and the sensation map which the body shuttles alternately back and forth, so as to locate the memory which quickly abates hiding.

The memory accumulates the fragments of the journey’s experiences, including the field in which time, space and body interweave. The memory is also the interface by which the works realize the abstract thinking. In the article, I retrace the principal artistic ideas, negative mirror surface, the spatial dismilation and creative practicing in each chapiter. In describing a pluralistic multi-dimentional space, the works engage into a reflection upon form, sign, color system and material-transformed writing.

The theoretical viewpoints come from the psychologies of Sigmund Freud and Carl Gustav Jung, the phenomenology of Maurice Merleau-Ponty, other writers such as Jacques Derrida, Jean Baudrillard, Michel Foucault and Edward Said. By these theories, the article attempt to present the actual thinking, creation study and artwork practices.