This study on fine art creation aims to establish the direction for pursuing personal style of creation. The creation develops on an axis of correlations between three elements, namely environment, human being and animals, and also making it possible to realize the representation of integrating the painting imagery - in the fashion of "association" and "symbolism" - on the relations between the said three elements by using surrealism painting techniques. Next this study anchors the theoretical foundation on explanation with Environmental Studies and Biology, as well as Hegel's Metaphor and Metaphorical Symbols in Rhetoric. Finally this creation achieves its goal of transforming the rational concepts into sensational perception in the creation, and wishes to enhance intuitive perception and reflections incurred from the creation by the creation analysis, thus make the audience aware of the simple interests from the surroundings in the life.

This thesis consists of five chapters where Chapter 1 elaborating the motif and goal of the creation and the content and method of this study; Chapter 2 examining the theoretical foundation where circulation and functioning of the environment were recognized and comprehended from the summary of both Environment Studies and Biology, and exploring Hegel's metaphor and Metaphorical Symbols in Rhetoric; and also presenting the examples of the western and eastern artists who apply the

surrealism painting techniques in their artistic creation contemplation or artistic form of creation; Chapter 3 focusing on Creation Idea and Expression by explaining the processes from taking shape of creation idea to painting vocabulary, also describing the medias applied in the creation; Chapter 4 describing elaborately and respectively the creation idea and the work analysis of each of the three series works under the theme of "Illusion and Destruction"; and finally Chapter 5 presenting the review on this creation thesis and perspectives to interested persons in the coming future.