According to the historical records, the Vietnamese was affected by Chinese culture for up to two thousand years, especially after "The Canonized System" during the Ming Dynasty, the output of large-scale cultural phenomenon was even more obvious. Experiencing the revolution of dynasties, the Vietnamese pipa was circulating in Ming Dynasty, has six hundred years of heritage and development. From the introduction of the "Bent-neck pipa", developed to "Vietnamese pipa", which is commonly use in Vietnam, has obviously its own characteristics and stand out in Vietnamese society.

In this paper, in addition to the introduction and conclusion, the study divided into four parts: firstly, explore the historical documents from the history fortune of spread to Vietnamese pipa and further understanding of the status in the Vietnamese community which was affected by the Vietnamese Culture. Secondly, the Vietnamese pipa instrument itself, structure with shapes, melody, music and other issues to sort out the inheritance and development of its instruments; Thirdly, to analyze the various regional classic tracks, roughly summed up northern, central and southern regions of the source materials and style tunes with further proposed musical interpretation techniques. Finally, according to the author''s experience of learning to play, elaborate Vietnamese pipa the basic holding posture and the playing method, and on the left hand and right hand playing techniques, in-depth dialysis essence of traditional Vietnamese music playing.

Pertaining to Vietnamese pipa playing method related research, no more abundant than Chinese pipa literature. I hope the subject by discussing, enable pipa artists or music circle academia students can pay more attention to the pipa family members in Vietnam, thus providing multi-oriented traditional Vietnamese music, providing interpretation and performance analysis techniques applied fairly.