Art creation is a synthesis of life attitude and life experience, honed over time and through accumulated experiences, gradually achieving the conveyance of one's own ideas, and then exploring and practicing one's emotional and spiritual self through creation. This article explores the changes in internal thoughts through in-depth analysis of academic theory and aesthetic experience. Drawing inspiration from personal observations and records of life, the creative impulse is ignited, and the time and memory of life experiences are constructed in the emotional and rational creative process, representing one's own life experiences and memories in time perception. From the perspective of "time," the researcher perceives, recalls, deconstructs, and structures the "memory," "characters," "events," and "objects" in life experiences, then reflects on one's own thinking and mood, and extends the medium of photographic creation to explore the reasons for its ultimate presentation with different readability.

The full text is divided into five chapters. Firstly, it reviews the inspiration for photographic creation, analyzes the motivation and purpose of the study, and describes the origin and method of creation. Through literature review, it examines the meaning and expression of the issues of time and memory in physics, philosophy, art, and aesthetics. With the help of the meaning and concept of photographic creation, it connects the thinking and development of time sequence and memory subjects, and the representation of image in various media, and the relationship between contemporary art photography and composite media. It explains the context of photographic creation during the research period: exploring time as a construct of consciousness, developing the "Unfinished Business" series through objective time, subjective time, and internal time consciousness, exploring the creative inspiration of the series, and analyzing the relationship between photography, composite media, and the viewer. Finally, it discusses the feelings and conclusions of the narrative creation research of the "Unfinished Business" image representation through composite media photography, as well as reflections on the creation process and future plans for continued creation.