This article discusses the Pseudo. It analyses the author's artistic creation process and achievements from 2016 to 2019, and studies the relationship and implication between personal creation and thinking. By means of thesis writing, the author combs the creative context and constructs the theory of individual creation.

The content of creation takes encyclopedia, anatomy and topography as its main axis, constructs a "fake world" from a micro perspective, and acts as an individual's self-examination of creation and observation. The concepts of "forgery" and "simulacrum" are proposed to create the micro-world.

This research is divided into six chapters. Chapter one illustrates the motivation and research methods of creation by oral presentation. Chapter two puts forward the theoretical basis and context of creation, which is based on Baudrillard's explanation of the influence of imagery on today's life, Jung's exploration of the symbols and implications of dreams, and Rollo May's study of anxiety.

Chapter three, with the illustration of encyclopedia in pseudo-encyclopedia and the analysis of the relationship between Sandplay therapy and creation, finally discusses how to face the phenomenon of anxiety and self-esteem, and links with the works. Chapter IV describes the external creative forms and the media and techniques used in the corresponding works of internal psychological profile. The fifth chapter puts forward the creative results and analyses the creative subject, factors and context.

Finally, the artistic history of the "pseudo encyclopedia" solo exhibition is summarized in the sixth chapter.