There are six chapters in this project, and they are divided into seventeen sections. This study is through photographic works to tell us Taiwanese base was agriculture, and paddy was one of Taiwan's beauty. While in recent years, due to scientific and technological make progress, and economic interests take first place, the area of rice paddy continue to shrink. It makes Taiwan's self-sufficiency rate decreases to only 32% (Peng Minghui, 2011), and continues to decline. It is worsen by the rise of luxury farmhouse, which also directly squeeze the area of paddy. Another adverseness is the uneven distribution of water under the state of promoting fallow policy. Also, the policy of a large number of imported food causes our nonsensible of food shortage. The importance of food issues worths people’s discussion and thinking. The purpose of my works is through photographic creation, the pastoral style and the surreal atmosphere to reproduce Taiwanese rice landscape and the food crisis. In order that more people can pay attention to Taiwan food problems and reappear the beauty of Taiwanese paddy.

A total of thirty pieces of works were exhibited, and the exhibition hall was set around the classroom corridor. A projection lamp is used to create the atmosphere of an exhibition. The exhibition was arranged in three sections: the seedlings, paddy, and farmhouses. A large work, which size is 240cmX70cm, is arranged above the entrance. The other two large pictures, which sizes are 240cmX150cm, are decorated at the entrance and the end of the exhibition. The remaining 30 works, which sizes are 100cmX70cm, were ten works for each topic--seedlings, paddy, and farmhouses. They are, through the exhibition, to let people appreciate the beauty of Taiwan, and explore the rise of luxury farmhouse being a feature or a problem.