Your browser does not support the JavaScript function. If the web page function does not work properly, please enable the JavaScript function of the browser. Goto main content

:::
  • Video&Audio
  • Others

A Research on The Early Feature of Fauré's Piano Music Through His eb Minor Nocturne, a Minor Barcarolle and Ab Major Impromptu./ Chou Chang I Piano Recital

東吳大學 / 音樂學系 / Author：Chou, Chang I

License Author my cdr(A Research on The Early Feature of Fauré's Piano Music Through His eb Minor Nocturne, a Minor Barcarolle and Ab Major Impromptu./ Chou Chang I Piano Recital) record(New Window) Open Open A Research on The Early Feature of Fauré's Piano Music Through His eb Minor Nocturne, a Minor Barcarolle and Ab Major Impromptu./ Chou Chang I Piano Recital (New Window)
A Research on The Early Feature of Fauré's Piano Music Through His eb Minor Nocturne, a Minor Barcarolle and Ab Major Impromptu./ Chou Chang I Piano Recital's Cover

Allow on internet after 2031/01/30

Gabriel Fauré（1845-1924）was an important composer in France during the end of the Nineteenth Century and the beginning of the Twentieth Century. He wrote a variety of works, including art songs, chamber music and piano works. Nocturnes, Barcarolles and Impromptus are the most representative of all 59 piano works.

Fauré was influenced by Haydn, Mendelssohn and Chopin in his early creative period from 1875 to 1884. He showed personal feelings based on the Romantic aesthetic. The thesis of this paper is to discuss the early feature of Fauré's piano music.

The purpose of the paper is mainly research three Faure’s early compositions, which are the First Nocturne(Op.33, No.1),the First Barcarolle(Op. 26) and the Third Impromptu(Op. 34). Research will include aspects in creative background, aesthetic, form, harmony, rhythm, texture, and motivic development.

The thesis concludes Fauré's early music grammar and his unique personal style.