This paper examines the performances of "Woyzeck" in 2020, held in the tent at the plaza in front of Taipei Zhongshan Hall, and the 2021 performance in the Drama Theater at TNUA, using these as research subjects to explore the re-creation process under the same script but different versions. By following the aesthetic context in different performance venues, it reinterprets and re-examines "Woyzeck." This creative report focuses on the emotional extension from visual planes to stage spaces, deeply analyzing the role of lighting angles, colors, and expressive techniques in revealing the deeper meanings of the text.

The report discusses how to transform the colors and lines in paintings into lighting design’s elements, weaving artistic charm through light and shadow. Through the process of emotional inspiration, brainstorming, rational analysis, transformation, and redesign, it not only preserves the transmission of emotions but also fully expresses the design content. This process demonstrates how visual elements play a key role in lighting design even in different venues, enabling the audience to understand and feel the emotions and themes of the script.