The thesis aims to present an in-depth analysis and discussion of the Violin Sonata No.1, Op.105 by Robert Schumann. First, an introduction to the composer’s background is provided, followed by an overview of the context of composition and stylistic analysis of the piece. Finally, a comparison is made between different interpretive possibilities of playing the piece, with suggestions for the reader with regards to appreciating and playing the music.

The thesis consists of three chapters. The first chapter gives a brief introduction to the life of Robert Schumann and discusses his creative styles, three violin sonatas, and the general context of composition of the subject of this thesis—the Violin Sonata No.1, Op.105. The second chapter provides an analysis and various interpretations of playing the piece. In this chapter, the author first analyzes the musical form of the three movements of the sonata and proceeds to the focus of the present study—interpretations of playing the piece—where the author provides a comprehensive and integrated discussion of various applicable bowing and fingering techniques and the influence of Schumann’s multiple personalities on his varying musical styles. The third chapter is a summary of the present thesis.