The research of the artistic creation process and the development context are the subjects of the thesis. During the studies at the institute of National Taiwan University of Arts, the change between early-stage and late-stage leads to thinking further that among the development of contemporary art, painting can existed by which way in the changes of the era. Despite going through each genre and theory of art history, “ painting ” has always had its own reasons for its existence. It is a process in which a painter can transmit information, focus attention on image memory of the past, and extend and expand the emotional space.
Taking the author’s work as a research of discourse. At the beginning of abstract painting, the melodic painting is formed by the afterimage rhythmic of dancing body to be homologous with the form of painting. The first chapter contains the rational geometrical shape, which is the concept of signs in the abstraction of the author; the rhythm is proposed by the combination and the superposition of geometrical shape; the decorativeness is constructed by the geometrical shape. The second chapter is the new possibility of sketching in creative work. Using the perpetuity of lines to express the rhythm and aesthetic of dance in space, being supplemented by studying the relationship between rhythm and time in sketch works. The third chapter is to explore the color in the artistic creation, including the realistic and unrealistic colors; the analysis of coloration, lightness and chroma; the preference color, non-preference color, the usual color and the expressiveness. The forth chapter is the variation of the theme. After the training of form, turning into the logical dialectic of notion. The research of the relationship between the utilisation of ready-made objects and the painting during the production. In each chapter, applying the rhythm, repetition of the rhythm, sensory feature, and the academic principles to investigate the spirituality in the author’s painting.
The method of exploration consists of the behavior of painting, following the recreating external image of representation, or more subjective, inner reality and emotional description, which makes the author focus on the characteristics of the essence of painting: color, shape and structure. Moving forward to probe material of painting and variation of the vehicle. All the creative works reflect the artist’s personal cultivation, taste and outlook on life. The road of research and creation is a silent and lonely pursuit; however, it is an unspeakable spiritual demand. Cultivation of knowledge, accomplishment are equivalent of the works that are sufficient to pursue