By extending the spirit of Chinese Literati Painting, joining the New Wen Ren prospective based on the social humanist care, and using the media of photography and digital image, the author studied multiple roles played by modern women in society. The multiple roles caused multiple pressures and burdens to the modern women. In this study, the author proposed to examine the issues of feminine care in the society.

Through literature study, the author concluded that the connotations of Chinese Literati Painting express the commonplace and innocent, take material for nature, create region depending on one’s heart, and show an interest in ink brush. By eliminating the undesirable traditions and adding modern humanist care, the author brought a new life, a harmonious state of the unity of the heaven, the earth, and the human being, to Literati Painting. Through the author’s work, new Literati Painting received the opportunity for its transition and rebirth.

Using feminine care as the subject, feminine self-(photo)shooting as the method, and the principles of expressing commonplace and innocent, taking material for nature, creating region depending on one’s heart, and showing the interest of ink brush, the author created a harmonious state of unity. In a picture of harmony, the author expressed the multiple pressures of the modern women caused by multiple roles in the society and that they needed care and support from the society. The author’s artwork showed the nature of women and the origin of humanity.