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立象‧盡意—林哲銘書篆創作研究-作品 6〈但願長醉不復醒〉

國立臺灣藝術大學 / 書畫藝術學系 / Author:LIN, CHE-MING

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In this era of artistic flourishing, how to incorporate the art of seal into modern concepts to achieve the effect of learning from the past and creating new ones is an important topic for the continuation of the art of seal cutting.

Through the aesthetic theory basis of“Zhou Yi”, analysis and understanding of it and brought into the author's creative concept. Among them," frame image" mainly refers to how to create an image in seal. After all, the aesthetic "image" of modern art is the foundation of all aesthetics.The "express meaning" refers to through "frame image" the author demonstrate the Chinese character aesthetic of seal carving also assimilate into Western Aesthetics.

By using modern expression techniques, hoping to popularize the acceptability of seal cutting art for modern people.

In order to achieve the idea“creation must move in endless cycles”by Zhou Yi,this article will discuss the creation of works in four series: "Line and Surface", "Corrosion and Entanglement", "Encirclement and Blank ", and "Void and Reality".