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似窺探秘密空間2

國立臺灣藝術大學 / 美術學系版畫藝術碩士班 / Author:LIU, PEI-YU

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This article discusses the motivation to start creating with the introduction of "Trance". In a state of wandering to talk about the transformation between "sense of time" and "sense of "space". Moreover, it is pointed out that the creator is often affected by the surrounding environment due to the lack of personal living space in her childhood experience, and the accumulated time often leads to her mental state being easily distracted, which turns to inner restlessness and anxiety. And through individual spiritual drift down to begin to produce a "spatial imagination" of the environment. This "space" it can also represent the level of "inner world", use of space imagination, further into creative inspiration, combines internal illusory and the corresponding outside environment, such as the building doors and windows and stair elements such as used in this work. Then to construct our own imaginary space, and in this virtual space on an adventure.

From chapter one to chapter two, this paper mention to daily experience and creative motivation, extends and sorts out the Archigram concept, and attempts to analyze one's inner spirit with Freudian psychology, including in a trance state. And according to the changes of space generation and time, through reading "Six Memos for the Next Millennium"(Calvino, 2009), the creator uses the "slow" mentioned in the book to talk about the feeling of time and cuts into the creator's inner feeling of time for trance. Then try to find similar elements in the film to thinking like creative practice and puts forward the visual illusion and artists to the element to talk about Sandro Del-Pratt heterogeneous space reference for production and works and analyzes the author for the understanding of the true and false. In the space, to take this way to investigate the relationship between the individual workspace construction, and the creative practice of space imagination.

In "Adventure in space", geometric blocks, horizontal and vertical lines and other elements are repeatedly stacked, combined and juxtaposed. Then broken and reconstituted geometric surfaces are used to form Spaces to connect and construct multiple perspectives and spatial contradictions in plane space. Through the half-open doors and Windows in the picture, the creator tries to create space and traversability in the space and walks with the creator in the way of imagination. They are like "a preserved space-time cube", each cube is like the space built in the process of every walk.