As the virtual generative technology is gradually realized in the real world, our unconstrained imagination of the future world gradually forms a predictable daily template. In such a situation, I pay especial attention to the objects in daily life, and the observing frame and field of view of "objects", and then demonstrate the essential differences and meanings of "objects" through creative research which tries to contain the application and creation of multiculturalism and mixed media in the selection of materials. This thesis sorts out the four series of works along the context, which are created during the graduate school time including "Gray Area", "Blanket", "Interface" and "The Contours of The Smell", to explore the situational relationship among material, daily life, space and society. The thesis researches about if the virtual material world is a trend of existence in the future, when technology intervenes in the material world, the "rapidity" of information dissemination and the pursue of "no distance" among objects have obviously become the current vocabulary of life, how much "static of the space" is carried within the spatial relationship between speed and distance? Is the "site" of objects, information and space still important? Is the configuration relationship between objects and objects in space still poetic? In this thesis, relevant concepts from sociology, phenomenology and speculative realism will be cited to dialectical discussion of the thought and context in the creation of art.
- Image
- Others
Temporarily unlisted