The procedure of artcreating includes the development of creator's mind and thoughts, and innar driving of desire of creating artworks, both of which are rational and sentimental factors closely connected with artcreating. With the browse of the history of art and the academic commentaries, and the meta-analysis of creator's works, several keypoints have been summed up. Image/symbol thinking corresponds to the "Gestalt" in the visual perception theory, on the basis of which her works of painting and installation have been disscused. In painting, the signs and symbols were used to build up her inner part of mind. As for the works of intallation, the wholeness of every part of a work and its interrelationship with the site have also been considered in order to set up the "Gestalt", which is inclined to induce spectators' perceptual and sentitive feelings. The employment of signs is one of the major ways of creator's thinking, which shows the relationship between the personal objects in mind and connotations she'd like to convey. Artcreating is triggered not only by rational thinking, but by the movement of inner desire. "Kunstwollen" in art history has really caught her attention, and the theory of Carl Gustav Jung concretely elaborates on the inertia of her artcreating. In conclusion, the blueprint of the process of creator's mental thinking and inner driving has been drawn in this thesis, and the research on Giorgio de Chirico and James Turrell has been contained as well to work as comparion to her artworks. Then the images that hold her thinking and feeling of life have been put into practice in the works.