This paper, "Play with the illusional past and present a study on painting creativity", is about a practical research which combines personal specialty, painting, with what I have learned in conservation for antiques. It is attempted that this work would suggest a different path to the performance and transformation of Chinese water painting, acrylic painting, compound media on conservation practices.

Over the last decades of practical experience and academic traning, I have been search my own symbolized language of art on visual performance. The unbreakable relationship between art and I has Simultaneouly been fulfilled by the means of contineous learning, searching, creating and Self-reviewing.

The paper is based on the principal of "Truth, Virtue and Beauty", fusing the tradition and modearn vision. The first chepter describes the research motives, objectives, content, scope and relevant methodology. The follwing part refers to the history, types, principals and progress of art conservation. The third chapter focuses on my field investigation, which relates to a discussion on how conservation materals couldbe utilized in painting. The forth chepter tries to present my conservation ideas. practical skills and esthetical thinking on painting work. The fifth part will then practically reveal how the work was created, how the art form can be flexibly used, what would the media be, how the skill can be more creative, and finally, how would an art work be interpreted.

In the last part, the conclusion, it is sincerely wished that a new aspect of painting could be unveiled by this different interpretation on the painting in conservation. Aand hopefully, an unique art language, which touches our hearts, may be noticed.