This paper studies the characteristics of discontinuity in Igor Stravinsky’s Divertimento by exploring the link between the practice of “Montage” in cinematography and Stravinsky’s discontinuous style. By a structural analysis of the piece, this paper intends to demonstrate the how the “musical Montage” in Divertimento can shed light on a better performance for the work as a whole.
- Video&Audio
- Violin
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