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激盪、迴旋--墨彩創作研究-10

國立臺灣藝術大學 / 書畫藝術學系 / Author:Chan, Huei-Mei

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Art is never extreme, creation also contains infinite possibility. With changing times, technology is increasingly developed, everything is constantly changing .Among the more than ten years in the art, from the traditional master-apprentice to the experience of further to sketch creation. Come to realize that only through traditional ink nutrients provided and through the creation of temper painting, more likely to be found, to establish their own symbols, create a modern art concept and an international perspective; And the trend of the times and the environment of China, the new definition of ink painting, new thinking, also urged author further study in ink painting. In this paper, the theme of water, study table in the exhibition in ink. Drawn from the mind of author and the natural environment of The Island of Taiwan.

The full text contains six chapters:

Chapter I Order theory: To treat research motive, research purposes, research contents, research methods.

Chapter II Drawing aesthetics and theoretical basis: Especially for inheritance and innovation of Chinese ink painting, landscape painting of meaning and development process, and to explore the inspiration of modern ink, do a detailed description and analysis.

Chapter III Creative ideas: Analyze the source of creative ideas and famous works, and the idea of the creation of the author and so on.

Chapter IV Creative practice and performance characteristics:A detailed explanation of the content of creation, subject matter, and creative process, techniques, materials, forms and so on.

Chapter V The description of creations:The creations, a variety of different types of water, are divided into five series, for each piece of work, there is a detailed explanation.

Chapter VI The conclusion :Creative reflections and future prospects.