This thesis is to research on privacy, perception and recalling experience between human and space to recreate and transform a life experience from one’s memory based on my artworks created during my time studying master degree. If roaming is the basis of urban migration, time perception in modern urban life would be largely different from the chronic-paced past. I enhanced one’s past experience from a period of time with my customized rules, and present space installation arts and their phrases and setups at certain places.

The foundation of the creations is focused on the fuzzy boundaries of individuals and both public and private spaces. The shifting identity hinted the current location and time status, which is the pursuit of significance. In addition, I memorize the labor relation with the space nomadically and collect the recreated data from daily observation, then transform those data to art creations with installation arts, conceptual arts, images and paintings.

The core of my creation is to connect the subjects through trivial daily records, writings, pictures, memory fragments and observations of daily life before creating a new space through re-written texts. The artworks shows fuzzy and overlapping layers by revoking the spirit of the objects to transform the psychological space into the inner state of life. This can be defined as the characteristic of the essence of memory, sending snippet messages and consciously erasing overly clear readability to create a poetic situational space. The sum of the objects in the artwork is a precise expression, pointing toward those untargeted life phrases.