The article is mainly based on daily memories as the axis of creations. Landscapes existing in the memory record every moment and elapsing time and explore via painting creations with images with profundity and warmth in daily life, combining personal emotions. Space of dreams is like a treasure box gathering memories, storing momentary memories of time and space; the existence between real and imaginary memory clips in the creation continues tangible scenes and expresses links built by the individual and environment to state internal points of view.

Chapter One, the introduction, explains motivations and purposes of the study and research methods to institute directions of the research. Chapter Two is on the philosophy of creation and discussions of theories. In this chapter, it describes personal concepts of creation, makes discussions through the self-painting related to the Eastern and the Western literature and paintings and sort out personal creation contexts. Chapter Three, manifesting forms and conducting processes, aims at analyzing performances and procedures of creative media. In Chapter Four, analyses of works separately but deeply interpret ideals of creation and integrations of presentation techniques. Chapter Five, the conclusion, is the reflection of the creation research and prospects for the future creative directions.