The supporting paper consists of two parts. The first comprises the idea behind the composition, the layout of the musical thoughts, and the motivic and structural analysis. The second consists of the musical score of “Vibrating.”

The thesis describes the spiritual state while composing. It explains the process and the realization of developing new acoustics and new performance approaches on the harp. Apart from that, the composer invented a new composition technique by exchanging space and time with pitch register and note values, which together, express the love of the universe, the mysterious character of the transcending time and space.