This creation study explores the spirit and meaning of the field with the representation

of the landscape and place in the video art. Personal creation will face changes in social

structure and field memory, and the movement of the field and the viewer's body will be

linked to the issue of human and geography, and the relationship between the self and

the other will be continued, and the appearance of the field as a metaphor. Symbols

extend to a diverse and complex level of human geography. Discuss the meaning of the

field awareness and video device, and study how to express self-perception behavior

and self-perspection in video creation combined with new media media. In addition, it

connects the senses of the body, explores the relationship between the field, the memory,

and the two, and conveys the meaning of "landscape consciousness" and "place spirit",

allowing the body to perceive in the space, and the overlapping of images and memory

space. The embarrassing state. This creative research adopts qualitative research, and

explores the conceptual significance of field space and other fields through the process

of field investigation, analysis of works, and practice of creation. Through literature

discussion and analysis of contemporary art works, the artistic concept of individual

series creation and the actual creation of actual exhibition works are presented. The

series works through the combination of video and augmented reality, breaking through

the previous fixed viewing mode. As a medium of image realism, the architectural space

ontology is used as a narrative carrier, flipping the vertical and parallel axes, allowing

the images to enter parallel space-time dimensions, combined with the present. The real

space and the viewer's body movement perspective, visual internalization experience.