It is impossible, unless one is a person with synesthesia, to have hearing and visual stimulated simultaneously by a mono source of human sense for most people. Although synesthetes have developed their own pitch-color theories, these theories are subjective in its nature developed by personal experience. However, if had their pitch-color relationships examined, one could see that synesthetes tend to relate brighter colors to higher pitches, and their mappings of pitch-color relationship often lies in similar color spectrum.

The first part of this paper analyzes the connection between color and music elements, compared between charts of pit relationship by different synesthetes in search of commonalities, and established a data transformation method, coined Color Wheel and Pitch Transfer System by the author, between pitches and music elements

The second part is an analysis of the author’s multimedia composition HUMANOID, including form analysis, instrumentation, pitch and visual design, and stage and dancers design. This part of the paper also describes how color elements and music elements were transferred into data, then utilized in Color Wheel and Pitch Transfer System, and then how the transfer method was used as compositional method.