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An Analysis and Interpretation of Eugène Bozza’s Concertino for Bassoon and Orchestra

國立臺北藝術大學 / 管絃與擊樂研究所擊樂組 / Author：Sheng-Yuan Huang

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尤金．波扎（Eugène Bozza, 1905~1991）是二十世紀初法國的作曲家、指揮家、小提琴家以及教育家。儘管不如同時期的德布西（Claude Debussy, 1862 ~1918）、史特拉汶斯基（Igor Stravinsky, 1882~1971）或是拉威爾（Maurice Ravel, 1875~1937）為人所熟知，但他畢生致力於開發管樂器新的音色聲響表現，也寫下了不少為管樂器所創作的室內樂、演奏曲與練習曲，對於現代管樂器，尤其是木管樂器的演奏技法有非常深遠的影響力。

An Analysis and Interpretation of Eugène Bozza’s Concertino for Bassoon and Orchestra's Cover
An Analysis and Interpretation of Eugène Bozza’s Concertino for Bassoon and Orchestra's Cover
An Analysis and Interpretation of Eugène Bozza’s Concertino for Bassoon and Orchestra's Cover
An Analysis and Interpretation of Eugène Bozza’s Concertino for Bassoon and Orchestra's Cover
An Analysis and Interpretation of Eugène Bozza’s Concertino for Bassoon and Orchestra's Cover
An Analysis and Interpretation of Eugène Bozza’s Concertino for Bassoon and Orchestra's Cover
An Analysis and Interpretation of Eugène Bozza’s Concertino for Bassoon and Orchestra's Cover
An Analysis and Interpretation of Eugène Bozza’s Concertino for Bassoon and Orchestra's Cover