Il Barbiere di Siviglia is most famous opera of G. Rossini, In the act, “Count Almaviva” was the key man. Composer created so many beauteous coloratura and melody for this role

The thesis will analysis the interpretation methods of “Count Almaviva”, from musical, personality, the formation of role, the similarities and differences between the original and scripts.. Try to explore the composer’s original intention of setting the roles and put forward its own opinions and views.

G. .F. Handel 1685-1759

Every valley shall be exalted

from Messiah

F. Schubert 1797-1828

Halt

Am Feierabend

mein

Der Müller und der Bach

from Die Schöne Müllerin

É. Lalo 1823-1892

Vainement, ma bien-aimée

from Le ROI D’YS

G. Bizet 1838-1875

Ouvre ton Coeur

G. Faure 1845-1924

Lydia

Pause

G. Rossini 1792-1868

Ecco ridentein cielo

Se il mio nome saper voi bramate

from Il Barbiere di Siviglia

F. Tosti 1846-1916

Ideale

Malìa

Segreto

L’ultima canzone

W. A. Mozart 1756-1791

Il mio tesoro intanto

from Don Giovanni

蕭泰然 曲 1938-

吳景裕 詞 1939-

永遠的故鄉

陳茂萱 曲 1936-

余光中 詩 1928-

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