This thesis consists of three parts: 1. the program notes of the Solo Recital. 2. the program notes of the Performance Recital written. 3. the conference paper.

The program of the Solo Recital includes: J. S. Bach《Chromatic Fantasie and Fugue in d minor, BWV903》、L. v. Beethoven《Fantasie, Op. 77》、F. Busoni 《Sonatina No. 6, “Kammer- Fantasie”》、G. U. Fauré《Barcarolle No. 1 in a minor, Op. 26》、《Prelude in g monir, Op. 103-3》、《Barcarolle No. 6 in E-flat Major, Op. 70》、D. B. Kabalevsky《Piano Sonata No. 3 in F major, Op. 46》.

The program of the Performance Recital includes: W. A. Mozart《Piano Concerto in C major, K. 503》、F. P. Schubert《“Wanderer Fantasy” , Op. 15(D. 760)》、C. Saint-Saëns《Scherzo, Op. 87》.

The object of study in the conference paper is 〈F. Busoni《Sonatina No. 6, “Kammer-Fantasie”》〉. This paper consists of six chapters: a preface, an introduction to the composer’s life and works, the creation background of “F. Busoni’s《Sonatina No. 6 - Kammer-Fantasie》”, historical background of “fantasy”, structural and harmonic analysis of the composition, stylistic features of the work with a study of interpretation in performance.