The theme of this thesis, "Fishing Harbor Love", aims to convey the author's description and thoughts about the environment surrounding fishing harbors. The general public's direct view of fishing harbors is that they are places where fish and goods are bought and sold; where fishing boats are moored and unloaded, where repairs are made, nets are mended, nets are sun-dried, and where there are noises of people, and where the sound of people selling and hawking is mixed with the rich fishy smell drifting from the sea, and the unique smell of the sea. However, after the author visited various fishing ports in Taiwan at different times and seasons in the past few years, he took photos of the ecology, appearance, humanities, customs, food, and the life style unique to fishing ports, etc., and then organized and analyzed them at home to reconstruct and use oil paintings as the medium to create works representing the ecology of fishing ports.

The form of painting adopted by the author is mostly realistic, because it enables the viewer to easily understand the author's original intention and the consciousness she wants to express, as well as the social state around her at the time of creation, which directly closes the distance between the author and the viewer, and makes it easier to move people's hearts and record them in detail.

This thesis will, in order, enter the theoretical basis of Chapter 2 after detailing the motivation, purpose, content, and methodology in the introduction of Chapter 1, exploring the historical background and characteristics of Taiwan's fishing harbors, and using the fishing harbors in Taiwan that I have already created as my own research object, as well as the aesthetics of each characteristic fishing harbor culture in Taiwan, and the exploration of the standard artists of the fishing harbor art creation, etc., which are all painting some of the living styles at that time that are commonly found around the fishing harbors. These are all the directions of research that will be explored in the thesis, which will be sequentially transformed into the sections of the third chapter for the creative research method, creative thinking, and creative expression, the fourth chapter for the description of all the author's creative works and creative concepts; and the fifth chapter for the conclusions of this thesis and the expectations and prospects for future creative works.