This thesis is mainly a record based on my life experiences as motivation for artwork creation during the graduate school stage. Starting from the external form of the artwork and the utilization of mechanical objects, the thesis proposes intentionally creating variations in the creative process and explores the relationship between the artist and the functioning of the artwork. The discussion further explores the “Happening” within the artwork and the preservation of “Happening” creations. It employs concepts similar to “documentary” or “documentation” to archive the artworks and provides the audience with an opportunity to experience the process of mechanical operation through which the artwork was once created. Lastly, the thesis centers on the theme of everyday life in the artwork, discussing the influence of industrial production on daily life patterns and its comparison with factory-like art production. The thesis redefines the significance of manual labor in relation to the artwork and its subsequent development, highlighting the unique creative experience brought about by labor.
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