The following is an academic translation of the provided Chinese abstract:

This paper presents an analysis of the repertoire from the author's two master's piano recitals, exploring the lives and compositional backgrounds of composers such as Frédéric François Chopin (1810-1849), Gabriel Fauré (1845-1924), Francis Jean Marcel Poulenc (1899-1963), Franz Liszt (1811-1886), Claude Achille Debussy(1862-1918), Ludwig van Beethoven (1770-1827), Jean-Philippe Rameau (1683-1764), Cécile Louise Stéphanie Chaminade (1857-1944), and Charles Camille Saint-Saëns (1835-1921), as well as an inquiry into the works themselves.

The program for the first recital includes: Chopin's "Nocturne, Op. 48",

"Variations Brillantes, Op. 12"; Fauré's "E flat-minor Nocturne, Op. 33, No. 1";

Poulenc's "15 Improvisations," FP. 170, 176, Nos. 13, 14, 15; Liszt's "Rhapsodie

Espagnole, S. 254"; and Debussy's "Clair de lune" from "Suite Bergamasque". The second recital features Beethoven's "Piano Sonata in D major, Op. 28", Debussy's "Reverie", Rameau's "La Triomphante, Gavotte & Six Doubles," Chaminade's "Études de concert, Op. 35: II. Automne and V. Impromptu", and Saint-Saëns/Liszt's "Dance Macabre, Op. 40."