Thang-Ka is both religiously and aesthetically important. These two essential qualities come in one, in such a prominent art form for the Tibetan people. In Tibetan Buddhism, self-cultivation is often exercised through visualization, or contemplation of the image of Buddha, and Thang-Ka can help the cultivators attain deeper understanding of the mind. Thang-ka was once used as a paint tool for the Tibetan people. It has a unique sense of beauty. However, owing to varying historical and cultural backgrounds, modern people may find it difficult to use Thang-ka for the purpose of contemplation. My study on creation will focus on the image of “White Tara”, a major object of contemplation in the system of Tibetan Buddhism. I will research into its reposition in art and application, analyzing its pictorial elements and symbols. I attempt to shed more light on its significance and implication, raising belief and joy in the practice of contemplation.
Firstly, I will explore into the nature of Tibetan Buddhism and the symbol of Thang-ka. A pictorial and semiological analysis of White Tara will be accompanied. Secondly, I will use literature review to discuss the matter of rationality, together with that of feelings. Next, an investigation into the meaning of Thang-ka will be conducted, by means of expert interview. My textual analysis will proceed in the direction of semiology, following the principles of synchrony and diachrony. I will resort to diverse thinking, in an attempt to transform the characteristics and elements of White Tara into an art form. Finally, in terms of the methodology of art, I will combine zentangle, mixed media, and stereographic equipment. Three series will be displayed: 1. White Tara. 2. White Tara as represented. 3. The signs of White Tara. The modern, multiple facets of White Tara will be presented, in all these 12 practiced-led creations.
The aura that surrounds art is conducive to peace in mind. White Tara has the patterns artistic, sacred, and entertaining enough to initiate interaction between the viewer and itself. My study intends to draw the view closer to the profound cultural implication of Thang-ka, via White Tara, and bring about faith and serenity. It also delivers the doctrine of Shamatha and Vipashyana, also known as calmness and awareness. Shamatha is peace in concentration, while Vipashyana is the insight or Buddha nature mind that unfolds in peace. It recreates the religious depth in a modern era where people can find comfort and harmony.
Tibetan Buddhism, Thang-Ka, White Tara, zentangle, semiology