Johannes Brahms（1833-1897）is one of the most eminent composers of the Romantic Period. While we often regard Brahms as a conventional composer who is sticking to tradition, he combines Romanticist ideas into his compositions with traditional framework. As a result, he creates his own unique style rich in emotive elements, a style that veered away from the popular trends of that time. Brahms’ music feature presents his different perception beauty of music. His compositions continue to be widely circulated and performed today.

By analyzing Brahms’ final composition for solo piano Klavierstücke op. 119, this study aims to explore his unique perceptions and feelings about music. In This analysis I began with an overview of Brahms’ life, highlighting major historical and musical influences during his adulthood. Next, I analyzed Klavierstücke op. 119 from three different aspects, the movies of materials, harmonic development and structure. Finally, I integrated my perspectives and the interpretation of Klavierstücke op. 119 for the conclusion.

Currents of life event changed Brahms’ compositional style. As Klavierstücke op. 119 presents Brahms’ late piano works, it reveals very unique style. Klavierstücke op. 119 has shown ambiguity of tonality, conveyed Brahms’ emotional resonance, and tinged with a shade of loneliness and melancholia. Brahms’ music may sound simple and intimate at times, yet deep and unfathomable at other. It leaves people much space for imagination and reflection.