Your browser does not support the JavaScript function. If the web page function does not work properly, please enable the JavaScript function of the browser. Goto main content

:::
  • Video&Audio
  • Others

The Apperception in Video Art

國立臺北藝術大學 / 科技藝術研究所 / Author:Hsing Yi Hsuan

The Apperception in Video Art's Cover

Temporarily unlisted

In the view of a musical creator, seeing from the musical perspective to the vision of filming creativity: it is the symphony bridging of unlimited symbols. For instance, it is sure to discover the structures of beginning, owning, changing to combination in one own filming work. This is demonstrated in the notes of classical music.

Prior to that, there are many production of advertising works with the experiences of creativity cannot be matched into an arena of a simple artistic piece. It does not fix into the perimeter but it becomes a form of redundancy. How to transform sound audible? How to make a particular favored impression tunes into pages of inter connected piece of visual impact and without losing the impression of feeling in its midst? In the current experience of creativity, all those that begin from "sound", how do I react? Or what notes I shall make to link sound with the film work?

I attempt to use logical approach to consider such as the types of visual impacts to match the sound types. This has always resulting not suiting and even unable to project the intended message. In a few particular works, I realized that between sound and visual film, there is a requirement for a certain degrees of balance. There is an involvement of mutual relation and again the requirement of striking a balance. I

compare it as "same platform of communication" and "miss-communication". Such little action creates depth, changes and rituality in visual filing.