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多重身分的檔案化與再呈現 ─黃弘豪創作研究-4.《打狗異鄉》第二版

國立臺灣藝術大學 / 雕塑學系 / Author:HUANG, HUNG-HAO

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The essence of sculpture from the possession of space to the nature of the capture and interpretation , In the continuous expansion into the modern and contemporary areas . Back to Taiwan itself , Taiwan's arts flourish after the lifting of martial law , Look at the recent development trend , It may be said to be a process of self-understanding . In history ever transfer of sovereignty , Accumulated multiple identity and blood on the islands continues to this day .

This article is the personal Institute stage , Combing explore for Taiwan's historical background and creation . For historical diversity and multiple perspectives , As well as the possibility of translating it into artistic creation . Expect to file the form as the viewing of the presentation and understanding through , Escape the established opposition view . First of all , discussed the relationship and differences between archives and the original things , Then explain to multiple identities and multiple authors separately , And the presence of multiple authors in creation of archival. Finally , cross-reference between author's choice of text and author's work , To show the author's own point of view .