The main topic of this film is about the happiness in a family. Through a vehicle-buying process that the main character in the film underwent, the film tries to discuss the contradictions and conflicts which we might neglect beneath the peaceful cover of a loving family. The film also manifests the materialistic mythology that people pursue in our society.

Yao-Fong is a TV commercial photographer. He works around the clock and didn’t pay much attention to his family. He notices that the members in his family are heading their separated ways and the family is becoming falling apart, he thinks that it might be helpful to bring his family back together if he buys a vehicle which proclaims itself as “the vehicle of happiness” and it can bring happiness to every household that owns it. Wan-Hwa, Yao-Fong’s wife, tries to collect “HELLO KITTY” merchandise as a means of getting closer to the true happiness that she desires. However, the way that she tries to secure her dreams of happiness makes her become materialized. And, in the naïve world of Yao-Fong and Wan-Hwa’s children, they believe that to own a video game player is to own happiness. When Yao-Fong plans to lead his family to start a journey of happiness after buying one of “the vehicle of happiness”, tiny arguments in their daily lives cause them to get stuck in the family crisis again.

The film is segmented by a concise framework, and, via a realistic expression, it displays the relationship among family members in this modern time. Through his observations and reflections, the author not only points out the cardinal conflicts within a family but also satirizes the materialistic phenomenon in our society. It is the author’s goal to share his thinking and points of view via this film.