The research of the creation of this thesis, taking personal life experience and creative thinking as the starting point, analyzes the creation of oneself, and tries to clarify the nature and vein of creation. In recent years, the researchers' works include graphic painting, installation art, video works, etc., and the previous experience of doing works is derived from the feeling of nature. This paper will be aimed at the flat works research and discussion. The main reason for the researcher's works is that the view of all the flat painting works, including the perception of physical experience, creative form, thinking mode, the language of the work, etc., but also to "line" as the main axis of the work, extending the further creative way and thinking, so that in the creative process, the view of painting to try to advance and progress.
Because the researchers are very interested in the expression of "lines", the works take the composition of lines as a form of expression, and create lines driven by emotion. The "line arrangement" and composition of the works are covered with the process of "spreading and diffusion", in which the lines have a "fine broken and tortuous" state, the screen also has "overlay and elimination" techniques, forming a " emotional polymer " of works. When creating, it will be based on life experience and discovery of the original intention and ideas, as the spindle of the creation, whether it is painting, printmaking and so on form. In addition, this paper will make a systematic combing of the researcher's creative veins, so as to enhance the series between creative thinking and real works.
By writing this thesis, the works again think about how to extend the existing limitations of painting and printmaking, and by looking for the relevant artists, art history, theory, aesthetic point of view of the researcher's creation as a comparison, will also stand on the point of view of objective rationality, more accurate analysis and view of creation.