The theme of this work mainly discusses “consumer culture and fetishism” from 2008 to 2011’s creation research, hoping to compare and analyze through relative references and theoretical books. By the mutual combination of observing the society and writers’ creating practice, it helps create the novel thoughts and enrich self artistic creation.

There are five chapters in the thesis:

Chapter I: Motive and purpose, scope of thesis, methods, and interpretation of words.

Chapter II: Theoretical foundation. The first section states cultural anthropology, psychology, economics, postmodernism and so forth to briefly illustrate the theory of modern consumer culture. The second section discusses female’s fetishism. The third section goes from the idea of feminism, comparing the creating thinking of eastern and western women.

Chapter III: Description of creating thoughts, contents, styles and skills. The first section is the discussion of fast-food consumption and fashion consumption as the creating ideas. The second section is creating content which shows the meaning of comic style and costume design in my works. The third section systematically arranges the works to find the meanings and roles in them through the combination of lines, styles, spaces, and colors. The forth section is the process of printmaking, stating detailed the application of materials and skills; for example, silk screen and techniques of foaming agent, etc.

Chapter IV: Practice of creating series. There are four series of works; that is “Plan-M” series,“starlight ”series,“beauty-skin lover” series, and “fetishism”series.

Chapter V: Conclusion. Introspect and examine whether the creation practice reach the goal or not, and self expectation for the future.