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19.洪慈君-《家屋-父親》2020_2022年#5A4B

國立臺灣藝術大學 / 工藝設計學系 / Author:HUNG, TZU-CHUN

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For lost people and things, what do we want to keep? What can't be let go?

In the form of an exhibition of enamel jewelry creation, this thesis conveys to the audience how to heal the inner self through jewelry creation, in facing of the pain caused by "loss". The historical mourning jewelry and other texts are as reference, it is considered that jewelry is a real object that connects the past and the present. With the relics, they rebuild the continuing bound with the deceased. Through physical and emotional senses, the wearer can soothe the grief caused by the loss, reflecting that the jewelry is a two-way emotional expression, and at the same time, it is also a medium for healing the grief, which is used as an on-site interpretation of the theme of the past.

People will commemorate the lost people and things, which means that they once brought us precious meaning, and they are eager to connect with it. People store their emotions and beautiful memories in various forms and place them in the appearance of reality, which may be a photo, a piece of jewelry... These objects (relics) become the epitome of the spirit that is absent from our lives today. Objects are the field of flowing emotion, and the narratives that are attached to objects are analogous to the transformation of missing feelings. They are the fixed point where spirituality and memory are interlaced in time and space, and the key to unlock different chapters of life. Shape the emotional depiction of the subject of life preservation. In the jewelry healing ceremony, a dialogue process of transforming sadness and experiencing love is formed. Finally, through empathy and sharing with others, it is transformed into an intangible meaning of presence value.