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The Remains — Research on the Creation of New Objectivity Photography

國立臺灣藝術大學 / 視覺傳達設計學系 / Author:ZHANG, MIAO

The Remains — Research on the Creation of New Objectivity Photography's Cover

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Death leads to the establishment of the remains. Although the objects never looked at death directly, they always recorded all traces of the dead, and carried the information of death all the time. With the rapid development of the world today, death is still a common topic for mankind. Human death at a variety of levels will give the dying parents a great pain and pressure, and at the same time increase the risk of dying parents' mental, physiological and social problems.

The objective of this study is to take objective images of New Objectivity Photography. By the full picture of the remains and the local photography, the relationship between the dead, the dead and the death and the life is shown, and the relevance and significance of emotion, time and life and death are revealed. The filming of the remains of the deceased is the starting point and the end point of this research. Through in-depth interviews with the dead and the photos taken by the existing relics, the dying parents are guided to re examine and interpret the relics; and the image is a rewritten medium for the viewer to see, think, understand the creator and the person to provide an effective way. In the form of creation, the concept and form of photography are based on new materialism. The purpose of this study is to depict the representation of artifacts and to accurately depict the message attached to time wear. According to the different contents and forms involved, it is also divided into two cases: the objective picture and the partial subjective close-up. It is intended to guide the viewer's attention to the detailed information of objects, and to reveal the metaphor and Revelation of the whole picture of death.