The main tenor of this article is under the structure of the viewpoint of “Consciousness Ink-Wash”, describing from the layer of concept and mind and the aspect of morphology, and clearing the conception when I face to a creation. The viewpoint of “Consciousness Ink-Wash”, in substance, is not a kind of the creative issue orientation, nor a shaping of creative morphology or an applying issue in relation to the creative medium. In fact, it basically is a sort of viewpoint statement, which is established on the creative issue orientation, shaping of creative morphology, and a creative medium for applications. It has an uncertain characteristic, or a fluid vitra, under which it becomes a critical, interpreted, and integral viewpoint statement. “Ink-Wash” or “Non-Ink-Wash” has not been the main implication defined by the “Consciousness Ink-Wash”, of which it shall be avoided of the viewpoint dialectic of the dualism expounding the interference and the issue demonstrated on the creation produced by Ink-Wash, with a broader and open status.

The concept of “Consciousness Ink-Wash” is found on a kind of the fluid vitra-view, of which its main characteristic is the constant propagation, ego-consciousness critical, and freeform body vagrant. The creative mentality of “Consciousness Ink-Wash” is established on a sort of recognition of the consciousness status, not the entity recognition in the substance layer, by which it may escape from the tangling mind between Ink-wash and Non-ink-wash, instead, advance the In-washed creative space towards the broader and deeper mental layer. Shaping the form of the “Consciousness Ink-Wash” is set up at a uncertain substance, for which the creative form may not be necessary to orient it at a certain of ideology, which means any form of the creation can be developed, interfered, and produced in this uncertain substance. The creative issue of “Consciousness Ink-Wash” is built in a subjective and internal self-perception, except for the internal, emotional sense of ego, including still the internal perception and observation on the material phenomenon.