Chinese painting is a fusion expression of human and nature, subjective mind and objective nature, all things move and transform in the emptiness, there are birth and death, reality and emptiness, reflecting the inner essence of life. Due to the transformation of time and space, the scenery will give people different feelings and aesthetic experiences, in the continuous derivation and change, it contains the life energy and philosophy of the world and everything, through the experience and observation of life, the author's impression of natural objects, it is improved to the realization of the philosophy of life, serves as the source of thinking about creative themes.

The creation research of "Four Seasons Deduction " takes the theme of "Four Seasons" as the core, and extends the seasonal imagery of nature's temporal changes to the essence of life through the thinking of association, and further expands the theme of "Four Seasons" through associations and metaphors, the way to connect the seasonal symbol and life. The discussion is mainly divided into three levels. First, the foundation of theoretical thinking. Starting from the oriental nature and cultural aesthetics and philosophy of life, explore the extended connection between nature and life; Second, reference basis for creation. From the theoretical basis of Chinese and Western painting and the aesthetics and creation views of related artists, it is analyzed and discussed as a reference for creation. Third, research on personal creation. According to the analysis and exploration of the first two items, construct the concept of personal creation, theme conception and form expression, achieve the practice of painting language through pen and ink form and media technique, and analyze and explain the content and form of the work.

The structure of the paper is divided into five chapters. The first chapter is an introduction, including study motivation and purpose, as well as study content and methods. The second chapter is the theoretical foundation discussion, based on Eastern aesthetics and life philosophy, absorbing related painting theories that have an impact on one's own creation, and analyzing the creative thinking and formal expression of related artists on seasons and life, and the author's creation , the inspiration and influence of this chapter are the main content of this chapter. The third chapter is the creation concept and practice, it first explains the creative thinking formation of " Four Seasons Deduction", and then discusses the content of creative expression, the form of pen and ink to the formation of painting language, and explains the practice process. The fourth chapter is the creative concept and work explanation of the three series of "Four Seasons Deduction". The fifth chapter is the conclusion, reviewing, reflecting on the study process of the paper and narrating the future prospects.