The Photographic works of Chien, Yung–Chung < The return of silver salt writing > are taken as research model in this thesis, observing differences in creativity and thinking process between painting and photography by its previous works and leading a thinking direction for future creators. Before the invention of photography technique, light-tight box assisted painters in drawing accurate figures and perspectives. Since 1839 the photography technique affirmed that the images can be fixed on Plane medium by black box operations and chemistry photosensitive materials, Nowadays, it’s inevitably to try to categorize the thread of art developments for creators, and to search motivations from creativity process. The bodies and machines playing roles of intermediate areas in living up to creativities, whether the exploration of body or the position of machine, are the subject that creators confront and deliberate at the present.
- Image
- Media Design
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