The core of this work is about the interrelationship between reading, memory, and image rendition, and with the base on the existence of memories, an extension is made into image aesthetics. Consequently, memory plays an important role in experience, and regardless of it being a personal experience or one that is pertinent to the entire culture, memories have an irrevocable significance, and even if one is uncertain about how to treat these memories, the existence of such is undeniable.

The research method of this work is mainly based on qualitative study with pragmatic creativity as a support. The documentation functions as an elaboration of the creative developments from drawing to audio-visual art, and it also brings forth the characteristics and epochal qualities in audio-visual art. Issues related to the creative process, such as personal memories and life experiences, construction and rendition, and also other issues, like the self, are also analyzed.

The outcome from the series, “Yesterday Once More”, intends to reinterpret events or terms from a personal development, and through video, editing, digital compilation, works that combine hand drawings and motion images are integrated.

“Series I - I Do Not Exist Everywhere” is an attempt to express a piece of personal memory that was not shared with others before. Through personal pre-existing physical impressions, “Series II - The World of Hippocampus” reflects on the differences between materialized imagination and materialized reality with an emphasis put on the translocation of codes that memory possesses.