The analysis is about the study of the choreography process to my own pieces in Wang Ssu-han and Li Pei-tzu co-produced "Draw the connection to ＿＿＿ .", including the duet piece "The Rhythm between," the solo piece "Preparation," and the group dance "Lán tio̍h tī tsia". The choreography process serves as a reflection on the existence of the choreographer and the interaction with the world, attempting to clarify contexts through the analysis of choreographies. By collecting and clarifying how traces are left behind, it responds to the role of dance, the body, and choreography in my lives, and how to expand the possibility for connection.

In Chapter 1, the introduction begins with a discussion of personal background, analyzing how the underlying beliefs of "existence" and "love" are implemented, and exploring the creative path through the dialogue between dancing and writing. Continuing from Chapters 2 to 4, the choreographies and contents of the three works are organized in depth. And from it, I can clarify and enrich the appearance of my works. "The Rhythm between" uses tactile information in family relationships to explore the interactions and conflicts between sisters, and how they grow as individuals under the same blood. "Preparation" continues my curiosity about death and existentialism, choreographing a solo dance based on the concept of farewell before death. "Lán tio̍h tī tsia" recalls my memory of growing up in the traditional market as a child, extracting the common memories in the traditional market, and attempting to reproduce it through choreography and invite the audience to get involved. Chapter 5 is a summary of this production journey. In addition to deeply reflecting on every step taken, it will also be used to sincerely look towards the upcoming future.