Nowadays, the ever-changing science and technology media has changed the way of seeing. There is a lot of image information around our life. The space we see in front of us is expanding rapidly. Our eyes are floating on a virtual ocean and are disoriented by it. To face the situation today, the art works of the author drew from media images such as films, photography, and social networks. In addition, the author used the perspective as a conceptual practice and explored the space inside and outside the border of image, and to re-examine the way of seeing.

In this study, through the observations of today’s “prospect of viewshed”, “ the auther proposed two viewpoints for his works: “the structure of painting and image” and “the appearance of non-material ”. In terms of content, there were two main themes: " Image and Space in the Screen" and "the Light in Space". Furthermore, the author also applied the theories of media such as Herbert Marshall MaLuhan (1911-1980), Michel Foucault (1926-1984) and Guy-Ernest Debord (1931-1994) as the theoretical foundation to explore the time significance and essence of his art works.

In the end, the author will use personal interpretation and analysis to summarize and review the present stage of creation, then use the achievements as the foundation for the future.