This thesis starts from the author's personal life experience.And focuses on how he views nature and how these experiences affect his creative ideas. The author gets the illusion through the books, the vegetation and the daily experience. When the author immersed in these things, his sight is moving from the visible external link to the invisible spirit. He selected the elements and mixed them into the organisms in paintings . In addition to the author's inspiration has been inspired from nature , Science fiction movies have also influenced his recent art created expressions. Because the imaginations of the universe , the author strengthened rhythm of organic styling in painting and tried to convey power in a calm picture.

This thesis is about those painting works that from 2015 to now. These works will not be sorted according to the detailed chronology. These works will be discussed in the chapter discussion process,and analyze the creative process and explain the expression techniques. Among them, the shape and color are the most important part of the author's creative performance. He believes that both of them can create the entrance of the see to enable the power to pass, and to make the viewer's eyes credible and to go to the internal abstract spirit. This discussion attempts to conduct an in-depth analysis of the author's creation both externally and internally, but whether it is the human consciousness in the nature of fakes and specimens proposed in Chapter 1, or the second chapter mentioning that science fiction films cannot be understood by human thinking. Star material, and the spirituality of light to people, these discussions and observations are still inseparable from human beings. The core is still itself.