This thesis consists of two parts, the “Solo Recital” and the “Performance Recital”. Program and the notes are included in both parts.

　　The program of the Solo Recital in July 15th, 2017 includes, Wolfgang Amadeus Mozart (1756-1791): An Chloe; Robert Schumann (1810-1856): Widmung; Johannes Brahms (1833-1897): Wie Melodien zieht es mir; Max Reger (1873-1916): Mariä Wiegenlied; Gabriel Fauré (1845-1924): Ici-Bas!, Lydia, Nell, Adieu; Roger Quilter (1877-1953): Love’s Philosophy, Now sleeps the crimson petal, Fill a Glass with Golden Wine, Weep you no more, June; Wolfgang Amadeus Mozart (1756-1791): Vado, ma dove?; Francesco Paolo Tosti (1846-1916): Sogno, La Serenata; Benedetto Marcello (1686-1739): Quella fiamma che m’accende; Christoph Willibald Gluck (1714-1787): “O del mio dolce ardor” from opera Paride ed Elena; Gioachino Rossini (1792-1868): La Promessa, La Pastorella delle ALPI; Wolfgang Amadeus Mozart (1756-1791): “Batti, batti, o bel Masetto” from opera Don Giovanni.

　　The program of the Performance Recital in July 16th, 2018 includes, Vincenzo Bellini (1801-1835): Vaga luna che inargenti, il fervido desiderio, Malinconia, Ninfa gentile; Stefano Donaudy (1879-1925): Vaghissima sembianza, Spirate pur , spirate, Come lállodoletta, Amor mi fa cantare, O del mio amato ben; Roger Quilter (1877-1953): The Sea-Bird, Moonlight, By the Sea; Robert Schumann (1810-1856): Seit ich ihn gesehen, Er, der Herrlichste von allen, Ich kann’s nicht fassen, nicht glauben, Du Ring an meinem Finger; Tyzen Hsiao (1938-2015): Mother’s Hair, Returning to Homeland; Lin Fu-Yu (1931-2004): Tonight I Have a Song; Giuseppe Verdi (1813-1901): “Saper vorreste” from opera Un ballo in maschera.