This research represents the author's discourse of her creations in the Master training period. The topic, "Creative Sight in Mud", reflects the social phenomena and describes emotions through painting. Moreover, while discussing the modern ink paining carriers and ink color painting creations, she reviews the external visual forms of humans, the definition of signal elements, and her own psychological status at the same time, which makes creation become a bridge for her to connect to her inner world as well as to know herself once more.

This research separates into five chapters. Chaper One: Introduction, elaborates the initial intentions and goals towards this topic and it lays the foundation of the whole paper. Chapter Two: Literature Review, specifies the motivation of the research in three ways, i.e. the association between emotions and colors, theories about "creating surroundings", and specification in painting language. Chapter Three: Fulfilment of Creation and Process Analysis, illustrates the author's creation belief and the techniques adopted in the painting process. Meanwhile, the creation motivation of "Creative Sight in Mud" and its visual presentation will be explained here. Besides, the author also analyzes and clarifies the worldview of detachment, the picture traits of mass, and the framing in center. Chapter Four: Analysis of Creation Works, introduces the creation motivation and productivity process of all the works separately. Chapter Five: Conclusion and Suggestions, records the achievements and future expectations.